20. Maj, 2010
Buy Mytek 8X192 AD/DA and get through June 30, 2010 FREE Protools® HD Card ( 699€ value!!! ) več...
24. Marec, 2010
Eighteen months ago, DPA Microphones unveiled its brand new 4099 clip mic range, which has proved to be a success with musicians worldwide. The range has now been expanded with two new additions: the 4099B and 4099C, with mounting accessories designed specifically for bass and cello respectively. več...
17. Marec, 2010
Napredne tehnološke rešitve, natančen odziv na hitre zvočne tranziente, linearen in v ekstremih razširjen frekvenčni obseg, neutrudljivo poslušanje pri visoki glasnosti ter koherentna zvočna slika pri zelo nizkih jakostih; to so samo nekatere od dobrot, s katerimi so nam postregli francoski mojstri. več...
Kondenzatorski...
AMT - M40 - The M40 is a bold new direction for microphones incorporating integrated circuit technology, an interchangeable chip which allows for multi-purpose use, and emulates many popular microphones with the advantages of its ultra compact size. The M40 has been designed for piano but works equally well in other applications such as boundary layer micing (conference, stage).

AMT - Roam 1 Elite - The AMT Roam 1 Elite Microphone has a flexible gooseneck, Gold Isolation Ring where the microphone is suspended in a 4 point isolation ring reducing valve, key, click, and handling noise. The "Universal Clamp" which allows for use with 40 or more instruments. The clip portion of the clamp is used for flanged bell instruments such as brass and woodwinds. The clip joins the remaining parts of the clamp for use with many other instruments including clarinet and flute.

AMT - S18C - The S18C is an electret-condenser microphone that has been designed for cello. All of the mic'ing parameters that are problematic for string instruments have been addressed. To be able to get the most gain before feedback it uses a very tight pattern to give a high rejection to surrounding noise, at the same time reproducing accurately the subtleties of the cello.

AMT - S25B - The SP25B is the same microphone as the S25B however uses the “super pre-amp” which has 2 XLR outputs, one of which has a ground lifted isolation transformer split. A quarter inch line driver output with volume control is also included. The pre-amp runs off of battery, phantom power, or optional power supply.

AMT - SP25B - The SP25B is the same microphone as the S25B however uses the “super pre-amp” which has 2 XLR outputs, one of which has a ground lifted isolation transformer split. A quarter inch line driver output with volume control is also included. The pre-amp runs off of battery, phantom power, or optional power supply.

AMT A95-4C - The A95 is an ultra-miniature, low profile condenser microphone specifically designed for drums and percussion.

AMT ERT - The ERT is designed specifically for the needs of hand percussion players. This new mic addresses some challenges hand percussionists have long been faced with, such as reproduction of subtle low frequencies, mic placement, durability and noise handling.

AMT LS - The LS is a low profile condenser microphone that attaches to the bell with a LOW MASS clip, specifically designed for all brasses and the saxophone family.

AMT P800 - The AMT P800 is a low profile condenser microphone that attaches to the trumpet "OFF THE BELL". The microphone provides pure tonal reproduction while being unobtrusive.

AMT Roam 4 - The AMT Roam 4 Guitar Microphone has a flexible gooseneck, 2 point Isolation Ring where the microphone is suspended reducing valve, key, click, and handling noise. The special flute clamp is designed to keep the weight down while being small yet very solid on the instrument.

AMT S15G - The S15G is a low-profile condenser microphone that has a cardioid pattern which gives it better gain before feedback than most guitar microphones on the market.

AMT S3G - The S3G is a unique, low-profile condenser microphone that can only be used with an acoustic guitar that has a sound-hole under the strings.

AMT TA2 - The AMT TA2 is a low profile double condenser microphone that attaches to the bell with a low mass clip specifically designed soprano saxophone. The microphone provides pure tonal reproduction while being unobtrusive.

AMT VP3 - Applied Microphone Technology, based NJ had introduced the VP3. A three microphone setup for Vibraphone and mallet instruments.

AMT VS - The VS is a ultra miniature, feather weight low profile condenser microphone specially designed for the Violin, Viola, and Mandolin.

AMT WS - The WS is a low profile double condenser microphone that attaches to the clarinet, alto and bass flute, or oboe with a Ultra- miniature low mass clamp.

AMT Z1 - The AMT Z1 hardwired single microphone made for flute. Formally the Z7. The Z1 is the perfect choice from soft to louder playing applications.

Brauner - Panthera Classic - The Phanthera is the impressive proof that a phantom powered non-tube microphone can sound amazingly close to a real tube microphone. With the Phanthera, Brauner expanded its product portfolio to include a reference quality microphone which could stand beside the sound characteristics of the coveted tube models VMA and VMX. The results speak for themselves.

Brauner - Panthera V - The Phanthera V impresses with the same qualities as its cardioid only counterpart, bringing along a lively and intense sound quality and highlighting the sonic aspects of the source material in a subtle manner. In addition to the cardioid directivity, it also allows to record in omni or bidirectional mode with a simple switch and thus adapting it to different recording situations. Using the omnidirectional characteristics, ambience as well as soloists or even big orchestras are captured true-to-life because the sonic environment is also authentically reproduced.

Brauner - Phantom Classic - Standing back, giving space to the sound, with all the attitudes Brauner microphones are famous for. That is the Phantom. Consequently following up on our philosophy. Our first phantom powered FET microphone we considered worth, carrying our name. A fair priced High-tech microphone. Nominated for TEC Award 2003!

Brauner - Phantom V - The Phantom V (variable) as a phantom powered large diaphragm FET microphone was the next logical development step in keeping with our product philosophy. It was developed based on the circuit design of the VM1 and also utilizes its capsule as well. Small differences can mean a lot in a recording environment, whether it is the freedom to choose the most suitable directional characteristic (omnidirectional, cardioid or bi-directional), or to expand the dynamic range by 10 dB in case it becomes louder than expected.

Brauner - Valvet - Ultra high quality components, flawless German craftsmanship, excellent dynamic range and a self noise down to the physical limits are the basic principals for Brauner microphones. The Valvet is faithfully following upon these principals. Based on the original circuitry of the legendary VM1, but with its on tube and output transformer, the Valvet has its own unique character.

Brauner - Valvet X - Have you ever experienced a real great tube microphones breathtaking intimacy? Have you ever noticed its charming detail and inspiring presence? If so, you will know that these attributes come at a price. - Introducing the Valvet X, Brauner releases a dedicated cardioid only microphone which really unites these precious attributes within a microphone unparalleled in its class and pricepoint.

Brauner - VM1 - To Dirk Brauner, his VM1 was the first real fulfilling of the dream of the perfect sounding tube microphone. A microphone to keep the spirit of the glorious old tube microphones alive, whilst complying with the high technical standards of modern high-tech microphones in the same way.

Brauner - VM1S - The VM1S is the stereo version of the VM1. It is currently, without doubt, the most intricate of all Brauner microphones. It unites two identical VM1 microphones, precisely matched to each other, in a single housing. It is a design that answers every wish of a stereo microphone. The VM1S enables control of the directional characteristics of both microphones even though they are in the same housing.

Brauner - VMA - The VMA is the essence of more than 10 years of experience with our top of the line model VM1, that influenced the market like only very few micropho-nes before. The VM1 is fully integrated into the VMA!

Brauner - VMX - Whereas the VM1 represents the natural sounding part of the VMA (which combines two microphones in one), the VMX offers the full character sound of the VMA in a single microphone and yields highest detailed resolution with a soft and silky top end. Slight accentuation of the low mid and bottom end as well as a soft upper mid range grant this reference quality tube microphone a unique and completely charming sonic character.

DPA - 2006A - The new DPA 2006 microphone has strong references to the acclaimed DPA 4006 omni microphone – by its type number 06, its overall sound character, and its industrial design. The difference is in the capsule technology that in the 2000 series features the new Twin Diaphragm Capsule technology. Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard from the first 2006 audio glance; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money.

DPA - 2006C - Wherever a small, lightweight, inconspicuous microphone for top-quality recording is required, the compact design and clean, transparent sound of our versatile 4006C makes it the perfect choice. They are particularly popular as A-B stereo pairs in concert halls where quality recordings can sometimes be compromised by classic architecture.

DPA - 2011A - The new DPA 2011A microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities. 2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within interference tube technology.

DPA - 2011C - The new DPA 2011C microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities. 2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within interference tube technology.

DPA - 4003 - The 4003 is an omnidirectional high-voltage (130 V) condenser microphone with extremely linear frequency response and extended low frequency handling capability (-2 dB at 10 Hz).

DPA - 4004 - The 4004 is an omnidirectional hi-voltage (130 V) close miking specialist with an extended on-axis frequency response from 10 Hz to 40 kHz (±2 dB). The 4004 is a Reference condenser microphone specially designed to handle extremely high sound pressure levels - up to 168 dB SPL before clipping occurs.

DPA - 4006 TL - DPA 4006 is one of the most popular types in the DPA microphone range and is a worldwide reference thanks to its precise, detailed and natural reproduction. For more than 20 years it has impressed studio owners and broadcasters as well as musicians and engineers thanks to its transparent sound quality. It is one of the most sought after studio microphones in the industry - and the one that gives most value for your money.

DPA - 4006A - The versatile DPA 4006A is without doubt the most popular mic in our standard range and has rightly earned its status as a worldwide recording standard. This highly sought after omni has forged its enviable reputation over the past quarter of a century by repeatedly exhibiting its total transparency in any recording situation, and by picking up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is undeniably impressive for the vast majority of miking applications.

DPA - 4006C - Wherever a small, lightweight, inconspicuous microphone for top-quality recording is required, the compact design and clean, transparent sound of our versatile 4006C makes it the perfect choice. They are particularly popular as A-B stereo pairs in concert halls where quality recordings can sometimes be compromised by classic architecture.

DPA - 4007 - The High-SPL Reference Microphone 4007 is a phantom powered (P48) close miking specialist with an extremely linear on-axis frequency response from 20 Hz to 40 kHz (±2 dB).

DPA - 4011 TL - The 4011-TL cardioid microphone is an upgraded version of the classic DPA 4011 renowned in recording studios all over the world as an exceptional mic. State-of-the-art components have been carefully selected to provide optimal neutrality, accuracy and extremely low distortion. The first order cardioid pick-up pattern gives superb separation between sound sources while spot-miking on every kind of live music.

DPA - 4011A - The DPA 4011A cardioid condenser microphone is an upgraded version of our classic 4011, renowned in recording studios and live applications around the world as an exceptional mic. State-of-the-art components have been carefully selected to provide optimal neutrality, accuracy, and extremely low distortion.

DPA - 4011C - DPA’s Compact Cardioid range is proof that stunning clarity and absolute neutrality are not solely the characteristics of full-sized studio condenser mics alone. Designed to be hidden from view, the diminutive design and high performance of the DPA 4011C makes it the outstanding choice for unobtrusively miking all types of television, film, theatre, concert and studio performances.

DPA - 4012 - The Cardioid Microphone 4012 is a hi-voltage (130 V) condenser microphone with a linear frequency response from 40 Hz to 20 kHz (±2 dB) and an incredible SPL handling capability of 168 dB SPL peak before clipping occurs.

DPA - 4015 TL - The 4015-TL wide cardioid microphone is an upgraded version of the original DPA 4015. The wide cardioid polar pattern (also known as hemisphere) is the perfect fill-in between an omni and a more directional microphone.

DPA - 4015A - If you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The phantom powered DPA 4015A wide cardioid differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn’t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our Compact Wide Cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance.

DPA - 4015C - If you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The DPA 4015C wide cardioid differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn’t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our Compact Wide Cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance.

DPA - 4016 - The 4016 wide cardioid microphone is the high voltage (130 V) counterpart to the 4015-TL. The two microphones are acoustically identical, but differ in their sound level handling. Due to the higher voltage supplied for the preamplifier via the DPA HMA5000, the 4016 can handle 168 dB SPL peak before clipping occurs!

DPA - 4017 - The DPA 4017 is a short and exceptionally lightweight shotgun microphone, offering a very directional pickup pattern with the typical natural DPA clarity maintained.

DPA - 4021/22/23 Compact Cardioid - The DPA Compact Cardioids are phantom powered (P48) condenser microphone using the same type of cartridge as the famous DPA 4011, but is preamplified using a built-in ultra-small thick-film mounted FET-preamplifier.

DPA - 4026/27/28 Compact Wide Cardioid - The DPA 4026 is a phantom powered (P48) compact condenser microphone using the same type of cartridge as the 4015 wide cardioid microphone, but is preamplified using a build-in ultra-small thick-film mounted FET-preamplifier.

DPA - 4041 S - The 4041-S is an omnidirectional microphone that uses the Large Diaphragm Capsule MMC4041 with the totally transparent MMP4000-S Solid State Preamplifier.

DPA - 4041 SP - The 4041-SP is designed to work in a standard 48 V phantom power environment. Since the capsule is the same as for the high voltage alternative 4041-S, the 4041-SP offers the same superior sound quality, with very slight changes in the specifications.

DPA - 4041 T2 - The DPA 4041-T2 is an omnidirectional microphone that uses the 24 mm (1 in) Modular Microphone Cartridge MMC4041 with the MMP4000-T2 Tube Preamplifier which offers a slight musical coloration of the recording.

DPA - 4041 T2 - The DPA 4041-T2 is an omnidirectional microphone that uses the 24 mm (1 in) Modular Microphone Cartridge MMC4041 with the MMP4000-T2 Tube Preamplifier which offers a slight musical coloration of the recording.

DPA - 4051/52/53 Compact Omnidirectional - The DPA Compact omnidirectional phantom powered (P48) condenser microphones use the same type of cartridge as the famous DPA 4006, but is preamplified using a built-in ultra small thick-film mounted FET preamplifier, which enables the cartridge to be mounted on a extremely compact microphone housing.

DPA - 4060 Omnidirectional, Hi-Sens - The DPA 4060 Miniature Microphone is a prepolarized omnidirectional Miniature Condenser Microphone with a 5.4 mm vertical diaphragm specially designed for maximum performance under the often difficult conditions when mounted directly on the body.

DPA - 4099G Clip Microphone for Guitar, Dobro, and more - Perfect for PA amplification and live recording of acoustic guitar, mandolin, banjo and dobro, the 4099G offers practically unlimited placement possibilities as well as a sound that is considerably more natural than an internal microphone or pick-up.

DPA - 4099S Clip Microphone for all Saxophones, Bass Clarinet - Soprano, alto, tenor or baritone, the 4099S fits them all, providing exceptional gain-before-feedback and a broad spectrum of uncompromised tonal possibilities depending on the microphone placement.

DPA - 4099T Clip Microphone for Brass - An ideal tool for trumpet, trombone and other brass instruments, with or without mute, the 4099T effortlessly handles even the highest sound pressure levels. Its innovative mounting mechanism makes it easy to move the mic between instruments with only one hand.

DPA - 4099V Clip Microphone for Violin, Mandolin, and more - Violin and viola players will appreciate how gently the 4099V adheres to a prized instrument while its elegantly lightweight, unobtrusive design keeps it from getting in the way of a passionate performance.

Earthworks - QTC 30 - The Quiet Time Coherent QTC30 has an excellent cost/performance ratio. With a frequency response to 30kHz and excellent impulse response, it will reproduce sounds with incredible detail that are true and life-like, making it an ideal and affordable choice for recording applications. Its small stainless steel body is 6.5 inches long and has no handling noise.

Earthworks - QTC 40 - The QTC40 (same as the QTC1) is the microphone of choice for demanding professionals in studio and remote recording.

Earthworks - QTC 50 - The QTC50 is the microphone for those who demand the very best. It is ideal for digital recording with sample rates up to 192kHz, and even higher where every nuance of sound must be captured.

Earthworks - SR 20 - Unscrewing the windscreen of the SR20 allows it to become a great instrument mic, outstanding for piano, guitar, drums, brass, woodwinds and other instruments. The SR20 will handle up to 145dB SPL and is an exceptional, versatile high quality microphone that is quite affordable.

Earthworks - SR 25 - The SR25 has the same attributes as the SR30 except its high frequency response extends to 25kHz. It will handle up to 145 dB SPL, is smaller in size, weighs less and costs less than the SR30. The performance vs. price ratio of this microphone is excellent.

Earthworks - SR 30 - In the studio or on the stage, the SR30 is an ideal choice for a variety of acoustic instruments including sax, flute, trumpet, guitar, piano and drums. It is superior for choir because it doesn't spotlight; rather it picks up an entire section or area with no hot spots.

Earthworks - SR 30/HC - The SR30/HC (same as SR78) offers exceptional directional performance for guitar, sax, flute, drums, bass, and vocals. It is ideal for natural sound combined with more off-axis rejection, or to reduce unwanted room sound. It can pick an acoustic instrument, like a guitar, out of an ensemble while still sounding detailed and life-like.

Earthworks - TC 20 - The TC20 (same as the SRO) is great for a wide variety of applications. It is Earthworks least expensive general-purpose omni with high frequency response to 20kHz.

Earthworks - TC 25 - It was engineered to be used in the DrumKit™ System, but can also provide stunning results on a wide variety of instruments and vocals. It has the same attributes as the TC30 except its high frequency response goes to 25kHz.

Earthworks - TC 30 - The TC30 is very popular for drum overheads. It is incredibly clean up to 150 dB SPL while simultaneously capturing subtle details. Its fast, clean impulse performance yields a remarkably transparent sound. It is an excellent room mic for ambiance in the studio and for recording rehearsals and performances.

Micotech Gefell - M 294 , M 295 - The family of metal membrane microphone M 294 / M 295 is added by the condenser microphone M 296. Based on the practically linear frequency response of the transmission factor up to 20 kHz it guarantees orthophonic recordings in the short-range and far field as well as sound events with high levels.

Microtech Gefell - UMT 70 S - The UMT 70 S condenser microphone equipped with our proven large diameter membrane capsule features outstanding performance, a high sensitivity and a improved signal-to-noise ratio. The UMT 70 S guarantees a particularly clean and colourIess sound reproduction. lt is well suited for instrumental and vocal soloists in radio and television broadcasting and for accurate productions.

Microtech Gefell - KEM 970 - The Cardioid Plane Microphone is a multi-capsule microphone system with a directivity which is largely independent on frequency, and which in the horizontal plane has the characteristic of a microphone with super cardioid directivity but in vertical plane such of a directional microphone with an opening angle of about 30°. By this manner the directivity is matched to the situation very often exists that the sound source to be transferred is expended over a plane or is moving within this plane, while at the same time all the sound coming from the other directions has to be suppressed.

Microtech Gefell - M 300 - The M 300 is a compact condenser microphone in studio quality. The frequency response of the transmission factor is practically linear for a wide range of sound incidence and has a smooth treble boost rising to about 3 dB between 6 and 10 kHz. The miniature microphone is well suited for vocal and instrumental soloists. lt permits a lifelike recording also at various sound incidence, e.g. announcer in synchronous studios, speaker, blower.

Microtech Gefell - M 900, M 910 - The M 900 and M 910 condenser microphones have been developed for recordings of instrumental and vocal soloists in the professional market. lts well balanced frequency response in the free-field as well as in the diffuse-field and the appropriate distinct characteristics ensure clean and colourless recordings of any sound sources with good selectivity.

Microtech Gefell - M 930, M 940, M 950 - The M 930, M 940, M 950 studio condenser microphones combine modern large diaphragm capsule technology with the latest in semiconductor circuit topology. They are specifically designed to meet the needs of professional and semi-professional users who demand the highest performance.

Microtech Gefell - M 960 - The M 960 studio condenser microphone combines well-proven large diaphragm capsule technology with the latest in semiconductor circuit topology. It is specifically designed to meet the needs of professional and semi-professional users who demand the highest performance.

Microtech Gefell - MT 71 S - The MT 71 S condenser microphone equipped with our proven large diameter membrane capsule features outstanding performance, a high sensitivity and a improved signal-to-noise ratio.

Microtech Gefell - SMS 2000 - The condenser miniature microphone system SMS 2000 consists of microphone amplifier and exchangable capsules with the polar patterns cardioid, hyper cardioid and omnidirectional. Consequently, the microphones M 200, M 210 and M 270 are available. This allows a universal application in professional recording and sound reinforcement. The newly developed, transformerless circuit design highlighted by remarkably low intrinsic noise and output capability substitutes the previous transformer.

Microtech Gefell - UM 930 - The switchable studio condenser microphone UM 930 combines modern large diaphragm capsule technology with the latest in semiconductor circuit topology. The optimized dual-capsule assembly opens up new applications in the recording technique. Among conventional switching technique there is the possibility of attaching a twin-Version, viz. microphones can be used with two directional pattern at the same time.

Microtech Gefell - UM 930 Twin - The UM 930 twin switchable pattern studio condenser microphone combines modern large diaphragm capsule technology with the latest in semiconductor circuit topology. The optimized dual-capsule assembly opens up new applications in recording techniques. In addition to conventional switched patterns, two different directional patterns can be selected at the same time.

Microtech Gefell - UMT 800 - The UMT 800 is a large format studio microphone featuring a pickup capsule with a long history of proven performance. Five polar patterns make this mike an ideal choice for a wide range of professional and semi-professional recording situations.

Microtech Gefell UM 92.1 S - TUBE – CONDENSER MICROPHONE with switchable polar pattern. The UM 92.1 S studio microphone features our classic M 7 capsule which is renowned for its sound quality. This pressure gradient transducer use two large diameter gold sputtered plastic membranes. The capsules are selected for optimum polar response.

Sontronics - Helios - If you’re looking for a microphone that captures its subjects accurately, with a complete low-end response and a smooth, beautifully detailed high-end presence, then the HELIOS is for you. This precision allows you to transparently position your subject within a mix, without having to resort to heaps of EQ and dynamics processing to do the job for you.

Sontronics - Omega - The rich, smooth tones of the OMEGA valve microphone will be music to your ears. Simply looking different is not enough to make the grade in today’s demanding market, so we set out to make the OMEGA sound as good as it looks.

Sontronics - Orpheus - Omni, Cardioid & Figure 8 patterns, and a 10dB cut/boost function, make this microphone the perfect 'workhorse' in practically any studio or live sound application. Its low self-noise and unmistakable presence allows you to record the subtlest of instruments or voices without concern or the need to perform ‘surgery’ afterwards.

Sontronics - Sigma - The SIGMA’s speciality is to recreate the silky, rich tones that we heard from those old recordings, but without the ‘pops’ and ‘crackles’. Punchy low and mid frequency responses, combined with an ultra-smooth high frequency roll-off, produce a very natural image, almost making the instrument or vocal sound like it is in the room with you!

Sontronics - STC-1 - Thanks to its three-stage filter and pad switches, the STC-1 is one of the most flexible microphones in its class and puts the competition in the shade. In fact, we have developed the optional STC-OMNI and STC-HYPER capsules to make this little gem one of the most useful microphones you could own.

Sontronics - STC-1S - Cardioid condenser instrument microphone matched-pair set

Sontronics - STC-2 - Some microphones have artificially-boosted high frequencies to make them sound bright and ‘airy’. However, this accentuates sibilant sounds, and can lead to a very harsh and unpleasant result. The STC-2 has a very smooth high frequency roll-off, ensuring a more natural presence to your recordings.

Sontronics - STC-5 - In simple terms, the STC-5 is more sensitive than its dynamic counterparts and captures your voice in significantly more detail. The result is more akin to what you would expect to hear from a studio mic, with very low handling noise and a very high signal-to-noise output.

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