20. Maj, 2010
Buy Mytek 8X192 AD/DA and get through June 30, 2010 FREE Protools® HD Card ( 699€ value!!! ) več...
24. Marec, 2010
Eighteen months ago, DPA Microphones unveiled its brand new 4099 clip mic range, which has proved to be a success with musicians worldwide. The range has now been expanded with two new additions: the 4099B and 4099C, with mounting accessories designed specifically for bass and cello respectively. več...
17. Marec, 2010
Napredne tehnološke rešitve, natančen odziv na hitre zvočne tranziente, linearen in v ekstremih razširjen frekvenčni obseg, neutrudljivo poslušanje pri visoki glasnosti ter koherentna zvočna slika pri zelo nizkih jakostih; to so samo nekatere od dobrot, s katerimi so nam postregli francoski mojstri. več...
500 serija
Al.so - 26x2 Summing module - 26 x 2 Summing Module Including insertions pathes. Permits to compress drums separately and to compress differently the main mix. Main mix insertion and output level control.

Al.so - M2B - Four stereo inputs to one stereo master ouput with insert point. Mute control for each stereo pair. Odd inputs are routed to the left output and even inputs to the right. Pan are made into your DAW and all the automations are still valid.

Al.so - MDI2 - Dual DI in only one slot! Instrument input to line level output. High impedance input. The Link ouput mirror the Hi Z input.

Al.so - MP2 - Dual mic pre in only one slot with up to 60dB of clean low distortion gain which can also be used as a line preamp. All inputs are on front pannel only, because rear input is used as Channel 2 Ouptut.

Alta Moda - AM 10 - The Alta Moda Audio AM-10 is a single channel compressor/limiter designed for use in API™ 500-series compatible rack systems. The AM-10 features a discrete FET gain control element with independent compression and limiter functions.

Alta Moda - AM20 - The Alta Moda Audio AM-20 is a high-performance, high fidelity four-band parametric equalizer module, designed for the API™ 500-series compatible rack systems.

AnaMod AM 660 - The AM660 is a faithful recreation of the classic sound and compression profile of the 660, using the AnaMod™ process to model the complex tube circuitry of the 660 and implement it entirely in the analog domain. Unlike a digital plug-in or processor based outboard gear, there is no latency, and no A/D or D/A conversions to compromise the sound.

API - 500VPR 10 Space Rack - The 500VPR RACK is a remote powered rack that holds up to 10 of the 500 series modules, including the 550a and b EQ, 525 Compressor, 512c Mic Pre, etc. It has XLR in and out. Power to the frame is provided by use of the included L200 power supply.

Api - 512c - One of the most famous mic preamps around, the 512C uses the sought-after 2520 op-amp, which yields 65 dB of distinctive, clean/creamy gain. Based on the original API 512 mic pre, the modernized 512C has an astounding amount of headroom, making it one of our favorite preamps for use with ribbon microphones. Works with all 500-series powered racks.

Api - 525 - An exact replica of the legendary 70's-era workhorse, the 525 was (and still is) a sophisticated and transparent-sounding compressor/limiter. Featuring a fixed, very fast attack time, variable release times and a killer de-esser, the 525 also boasts a one-knob ceiling control which automatically adjusts output gain -- very musical, and very useful for people who like to work fast. Works with all 500-series powered racks.

API - 527 - The API 527 takes it's place alongside the family of API VCA based compressors, the 225L and the 2500 Stereo Bus Compressor. Anyone familiar with those units will immediately be at home with the 527. Features common to the line like "feed forward" (NEW) and "feed back" (OLD) gain reduction methods selectable on the front panel, provide a choice of "that old way", or "the new way" of compression, for the highest level of flexibility in signal gain control.

API - 550A - API made a lot of friends when they reissued the stalwart 550A EQ module a few years ago. Original specimens were going for crazy money and of course didn't always work. Fifteen points of astoundingly musical equalization housed in a compact yet wonderfully ergonomic module, the 550A works with all 500-series powered racks.

API - 550B - The 550B takes API's legendary 550A equalizer module and kicks it up a notch, adding an extra filter plus several additional frequencies to the proceedings. The singular "550 sound" has been a part of countless hit recordings since the 60's. Works with all 500-series powered racks.

API - 560 - One of our favorite graphic equalizers out there, the 560 is a compact vertically mounted (surprise!) module that is amazingly intuitive and ergonomic. The seemingly endless headroom, courtesy of API's legendary 2520 op-amp, allows extreme sonic manipulation with minimal artifacts. Works with all 500-series powered racks.

API - Lunchbox 500 6B Rack - A classic tool for the itinerant engineer who wants to easily tote his/her favorite API modules (or any other of the scores of compatible third party modules) to different studios. The Lunchbox provides regular and phantom power as well as XLR in and out jacks. Load it up with mic pres, EQ's, compressors, or any combination and you're good to go.

Atlas Pro Audio - Juggernaut - The Juggernaut features custom wound iron and nickel input transformers (switchable via push button), and comes standard with an iron core custom output transformer (optional custom nickel output is also available).

Atlas Pro Audio - Leviathan - 500 series lovers, your wish has come true. APA's new Leviathan compressor is the perfect synthesis of vintage and modern technology. Inspired by both the La-3a AND La-2a 'set and forget' program dependent compression with the Leviathan's VINTAGE auto mode, the APA Leviathan is very smooth in every sense of the word. We've set the VINTAGE mode's attack to be approximately in between the La-2a and La-3a so the source is natural but with enough control to keep things in check.

Avedis - E27 - The E27 was created for the need of a high quality modular equalizer. High performance, versatility, ease of use, and simplicity is the initial core of the E27's design. Some of the best analog gear from the past was the inspiration for its character in sound.

Avedis - MA5 - The MA5 was created to fill the need for a high-quality microphone preamplifier with the characteristic sound of early ‘70s British Class-A consoles.

BAE - 11 Module Rack Mount - Modular Rack with 48v Phantom Power and PSU, for up to 11 Modules - for the 500 Series Format. Mount 11 of your 500 series modules in this strong steel chassis (not aluminum!) This rack offers XLR ins and outs, each with shielded connectors.

BAE - 6 Module Rack - Modular Rack with 48v Phantom Power and PSU, for up to 6 Modules - for the 500 Series Format. This portable (and affordable) rack is powered by a robust remote power supply, providing a cleaner, less-distorted signal than normal PSU's.

BAE 312 A - The BAE 312A mic preamps made using the new Avedis 1122™ opamps are punchy, have great bass and have a clear, extended top end. The sound is in your face and they don't compress transients. The low end is tight with good attack. They are excellent for drums and percussion.

Burl - B1/B1D - Introducing the B1 and B1D Microphone Pre Amps from Burl Audio. Based on the API 500 series form factor, the B1 was designed to compliment the B2 Bomber ADC, and give you multi-channel pleasure.

Buzz - Elixir - The elixir preamplifier module is an excellent compliment to the "fatter" sound of many modules now available in the API* 500VPR Series format and has been designed to provide exceptionally low noise wide bandwidth amplification of microphone and instrument signals. The elixir will suit those who desire a recording preamplifier where just a slight amount of bass colour is added to the original signal whilst retaining full treble extension and a smooth midrange - warm, sweet, liquid - the perfect blend.

Buzz - Essence - The essence is a True Class A Optical Compressor designed to fit the API* 500 VPR Series rack frames offering a great feature set in a compact package. The essence will find application with those seeking a musically transperant compressor for all tracking and mixing tasks, and it sounds particulary outstanding when processing voice and bass tracks. The essence - the Heart 'n' Soul of your next recording!

Buzz - Potion - The potion is a True Class A FET based Compressor designed to fit the API* 500 VPR Series rack frames. The potion will suit those looking for a audio compressor with "attitude" and is particularly useful in rock, hip hop and modern music styles where a somewhat aggressive character adds to the energy of the track. Drums, electric guitars, vocals and the mix bus will all benefit from the potion's rich harmonic sound - potion - the harmonic energizer!

Buzz - Tonic - Before modern semiconductor technology, audio filters and equalizers were made with passive components - capacitors and wound coils of wire that formed inductors (or chokes). Audio frequency chokes were bulky and expensive so these days it's easier (and cheaper) to use an electronic circuit to simulate the inductors. However, we have discovered that the difference in sound between the real thing and a simulator is quite noticable. So with the tonic equalizer we have brought you the best of both worlds, utilizing both real chokes and electronic filters in perfect harmony.

Chandler - Germanium 500 - The Germanium 500 is a 500-series compatible Germanium preamp. No circuit or transformer changes were necessary to adapt Chandler Limited designer Wade Goeke's original Germanium Preamp/DI into this version. Just like the original Germanium Preamp/DI, the Germanium 500 Preamp/DI uses classic germanium transistors in all class A, transformer balanced, circuits. The use of germanium devices opens a whole new sound palate not found in any pro audio equipment currently manufactured.

Chandler - Little devil compressor - Chandler ltd enters the 500 race furiously with its new LITTLE DEVIL Compressor. Using all discrete circuits that combine Chandler's best designs with the hottest designs from the past, transformer balanced everything, and the American hand made quality you expect from Chandler, the LITTLE DEVILS will take the lunchbox UP to the next level...

Chandler - Little devil equalizer - Chandler ltd. enters the 500 race furiously with its new LITTLE DEVIL Equalizers. Using all discrete circuits that combine Chandler's best designs with the hottest designs from the past, transformer balanced everything, and the American hand made quality you expect from Chandler, the LITTLE DEVILS will take the lunchbox UP to the next level...

Electrodyne 501 - The Electrodyne 501 is a two stage discrete transistor, transformer coupled preamp with active DI, using classic (1969? / 1970?) design technology. Each amp stage is individually optimized for peak performance using Electrodyne factory engineering notes and selected high performance components identical to the originals.

Electrodyne 511 - The Electrodyne 511 is a classic two-band discrete transistor reciprocal active inductor equalizer using (1969? / 1970?) design technology. The custom inductors and output transformer are made by Electrodyne's original maker, to strict factory manufacturing tolerances as small as 2%.

Elysia - Xpressor - The xpressor 500 is an extremely versatile stereo compressor available in API's 500 series format. With its many unique features taken from our flagship products, you not only get great compression, but an amount of control on processing which is hardly ever experienced elsewhere.

Empirical labs - DerrEsser - The DerrEsser is a multi function dynamic filtering device, in an API 500 series module format. In its basic “DS” mode, the DerrEsser is an effective, level insensitive de-esser, which is a device that will adjust the high frequency gain on overly trebly or spiky vocal, or other source. By using a crossover technique, and dividing the audio up into a high frequency range and a low frequency range, the DerrEsser can use its Voltage Controlled Amp to turn down comparatively high or harsh high frequencies in an extremely musical manner. However, unlike other de-essers, the device is not limited to just de-essing, and allows for multi use of its circuitry.

Grace Design - M501 - Presenting the m501, the 500 series module version of the venerable m101 microphone preamplifier. Now the signature transparency and detail of our circuit designs is available for your 500 series frame.

Great River - 32 EQ - The Great River 32EQ is a new 500-series version of the EQ and filters from the renowned Harrison 32 Series consoles. An internal jumper provides selection of the “vintage” feedback design, or a non-feedback option.

Great River - MP 500NV - Great River’s MP-1NV is one of the great mic-pres being made today, and already a classic. It has one foot in the vintage British transformer sound, and the other in a cleaner, more API-like tone. The result is a pre/DI that’ll knock your socks off with any mic and source. The new 500-NV double-wide module is an essential addition to your lunchbox!

Heritage Audio - 1073 500 - When we came with the idea of making our 1073 version in an API VPR series 500 module, first thing we noticed was how many compromises our competitors had to assume to fit their repros in such a small package. We decided to make exactly zero compromises on ours. This meant making a 3u wide module capable of holding all three vintage accurate transformers, dual concentric switches , pushbuttons and same exact PCB cards. Exactly what the name says. No downsized knobs. No transformers left out. No ICs in place of discrete class A circuitry. Just what the faceplate says: a 1073 in a 500 series format.

Heritage Audio - 1073 500 - When we came with the idea of making our 1073 version in an API VPR series 500 module, first thing we noticed was how many compromises our competitors had to assume to fit their repros in such a small package.

Inward Connections - EQP2 - Inward Connections EQP2 is a versatile fully parametric 2-band equalizer utilizing the legendary SPA690 discrete amp blocks. Capable of 20db of boost/cut per band, this all discrete design will offer smooth equalization from subtle to extreme.

Inward Connections - MPD500 - The Inward Connections MPD500 is a full-featured discrete microphone preamp with DI from the manufacturer of the famed VAC-Rac stereo tube limiter. Using the all-discrete SPA-690 Op-Amp, this design gives a very high-bandwidth and musical tone without a trace of sterility.

Inward Connections - OPT1A - Using the legendary SPA690 discrete amp blocks, the Inward Connections OPT1A has the exact same Optocell gain reduction circuitry as the revered TSL-3 Vac-Rac tube limiter in a solid state 500 series format.

Inward Connections - VC500 - The Inward Connections VC500 is a VCA compressor for the 500 format and it raises the bar! Master Craftsman Steve Firlotte did not disappoint with the VC500, utilizing the famed SPA690 op-amp with Military Spec construction.

LaChapell - 583E - The Model 583E features the same amplifier stage found on the 583S including the Jensen JT-115k input transformer coupled with an ultra-clean transformer-less three-band EQ section with fully sweeping frequency controls and cut/boost settings of +/- 8dB.

LaChapell - 583s - The Model 583s is the world’s first vacuum tube preamplifiers designed for 500 series frames and is based on our popular 992EG platform.

Little Labs - VOG - The VOG analog bass resonance tool is the latest creation from Little Labs, and is Little Labs first entry in the popular API 500-Series module format.

Pendulum Audio - OCL 500 - Since its introduction in 1998, the Pendulum OCL-2 Compressor/Limiter has become a modern classic. In fact, the OCL-2 changed the way users think about opto compression! Our custom opto cell provides fast, invisible compression without the artifacts and suggish response inherent in vintage designs.

Pete's Place - BAC - Designed by Brad Avenson of Austin, Texas-based Avenson Audio, the BAC—short for Brad Avenson Compressor—is a feedback-style FET compressor built around two discrete op amps and a custom wound output transformer.

Purple Audio - Action - A FET compressor reminiscent of the MC77. Designed to work in standard "500" racks.

Purple Audio - Biz Mk - A unique sounding, three amplifier, discrete microphone preamp module designed to work in standard "500" racks.

Purple Audio - Cans - A discrete stereo headphone amp that doubles as a control room preamplifier. Designed to work in standard "500" racks.

Purple Audio - LILPEQr - A two-band program EQ. Designed to work in standard "500" racks.

Purple Audio - Odd - A four-band inductor-based EQ. Designed to work in standard "500" racks.

Purple Audio - Pants - A four opamp, diferential mic preamp. Designed to work in standard "500" racks.

Purple Audio - TAV - A ten-band inductor-based graphic EQ. Designed to work in standard "500" racks. A new take on the console graphic, with ten easy to use bands. Each band uses a high quality inductor and carefully selected caps to set the center frequency.

Safe Sound - P501 - The P501 It is not just a phantom powered pre, or DI, or line level device, it's also a compressor and limiter with full metering on board for input and gain reduction. The P501 still only takes up a single space and is logically laid out.

Shadow Hills - Dual Vandergraph - The Shadow Hills Dual Vandergraph is a direct descendant of the Shadow Hills Mastering Compressor and maintains its reputation of unquestionable quality and exceptional performance.

Shadow Hills - Mono Gama - The Mono is the single channel API 500 series version of the GAMA (Golden Age Microphone Amp), with all the capabilities, features, and quality of the original.

Shadow Hills - Optograph - This Single channel discrete optical compressor, in the API 500 series form factor, takes its cues and much of its design from the optical stage of its behemoth Big Brother, the Shadow Hills Mastering Compressor.

Vintage Design - M581 mkII - M581 has been updated to M581mk2. The major changes are that the front XLR is removed and that the Hi-Z input will is feeded trough the inputtransformer (via the same type of FET driver that is used in other types of Vintagedesign units) to get it's character.

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