AEA - RPQ - The AEA RPQ Ribbon Preamp with Curve-Shaping provides two channels of high-quality, high-gain, low-noise microphone preamplification, and unlike the TRP provides phantom power for active electronics. Particularly well-suited for use with ribbon microphones, it delivers the speed, precision, quietness, and headroom needed for today's high-resolution recordings. The JFET circuit design generates up to 80 dB of clean and quiet gain, with extended bandwidth from below 1 Hz to beyond 200 kHz, for dynamic range and transient response that complements all of your microphones.

API 7600 - Discrete 4 Buss Channel Strip: 212, 550A and 225. The API 7600/7800 offer studios of all sizes a whole new range of options without sacrificing quality. Perfect for project studios who want high performance console sound, but have limited channel needs and/or budget availability, or professional studios who may want to add more channels to their existing desk, the API 7600 strip forms the basis of a build-as-you-need-it, high quality recording console.

Avalon VT-737SP - The Avalon VT-737SP features a combination of TUBE preamplifiers, opto-compressor, sweep equalizer, output level and VU metering in a 2U space.

Avalon VT-747SP - The Avalon VT-747SP combines a creative STEREO tube-discrete Class A spectral-opto-compressor with a musical six band program equalizer, L-R output level and gain reduction metering and internal regulated power supplies in a 2U space. Ideal for high performance DAW input signal conditioning, stereo buss compression-EQ, stereo keyboards and analog mastering applications.

BAE - 1023 - The 1023 is completely handwired using Carnhill (St. Ives) transformers. It has the exact same mic/line preamp as the 1073, but with significantly more frequencies in the mid and hi sections. Aside from simply offering more frequency settings to play with, these expanded eq sections also allow you to play the mid bell curve directly against the high and low shelves where they overlap. This capability opens the tone shaping possibilities in very interesting and musical ways.

BUZZ - ARC 1.1 - The ARC1.1 is a outboard channel strip combining a mic/line preamp, equaliser, compressor and limiter in one box. It has primarily been designed for recording and processing the human voice and sports a host of features that have been inspired by suggestions from audio professionals from around the globe.

Chandler TG Channel mkII - The Chandler Limited Channel is a recreation of several classic circuits and combines a TG2 pre amp section with an equalizer that was redesigned from an equalization circuit used in the TG12410 Transfer or mastering console.

Chandler LTD-1 - The Chandler Limited LTD-1 is a hand wired 10-series equalizer and pre amp that has been handmade using parts and build techniques from the original manufacture of the modules. Grounding, wiring techniques, original transformers, transistors, and inductors and much more attribute to the special sound of these units and have been painstakingly recreated in each LTD-1. We even make our chassis to resemble the old modules- highly polished plated steel.

Daking Mic-Pre-EQ - The MicPreEQ packs a lot of good, clean signal path into a single-rackspace unit. Inside, the box is all-discrete and Class-A, utilizing top-quality transformers, precision capacitors and low-distortion inductors. All switches and pots are PC board-mounted and have a tight, solid feel; Daking uses hefty anodized, engraved aluminum knobs of his own design. The board uses through-hole construction rather than surface-mount, and is housed in a stainless-steel chassis, providing maximum shielding from external nasties. True to form, no audio runs through the mute, phase, pad or bypass switches; those functions are performed through relays using gold contacts.

Heritage Audio - 6673 - In March 1970 the first 1073 module was launched and became the standard in 80 series consoles. The 1066 was gradually replaced in newly shipped consoles and finally disappeared. The 1073 featured almost the same identical circuitry, being the most relevant differences the hi frequency shelving ( 12Khz instead of 10Khz ) and the equalizer´s mid band, which had one more center frequency, but lacked the constant Q of the 1066 . Vintage module connoisseurs do know how sweet the 1066mid band sounds and, for some, something was lost in the way. Until now... The 6673 module is the answer to an old question among vintage module users. Should I use a 1073 or a 1066 for this specific source material? Should I need to boost at 700 Hz or would it be better to cut at 360 Hz? Should I need 12Khz or would it probably better to add 10Khz instead? These and a lot more questions that have become "classic" in some professional environments have a new answer.

Heritage Audio - 8173 - When launched in 1972, the 1081 became the most flexible equalizer ever in a mixing console. Its 4 band equalizer allowed sculpting the sound in such a unique way, mainly due to the fact that both mid bands covered almost the whole audio spectrum in 20 steps. Unfortunately, a class A/B output stage was used instead of the class A one used in the 1073, making it a second choice for tracking in favour of the 1073.

Pendulum Audio - Quartet - The Quartet is an all-purpose recording tool designed with the ultimate in sound quality and flexibility in mind. We have combined four elements - Mic/DI preamp, Opto-compressor, EQ, and De-esser -into a fully integrated package that it makes it easy to track any source. In addition, the Mic/DI preamp, EQ and Compressor/De-esser are completely independent entities that can be patched out and used separately - a hand feature that makes it a valuable tool for mixing as well as tracking.

Pendulum Audio - Quartet II (Mercenary Edition) - The Quartet II is not an update nor a replacement for our very popular Quartet, but complementary unit that incorporates a substantially different combination of elements. Designed with the input of Fletcher of Mercenary Audio, many additional options have been provided to tailor the texture of the audio character for maximum musical flexibility.

Pendulum Audio - SPS 1 - Since its introduction in 1993, Pendulum's SPS-1 has been recognized as the world leader in sound quality and flexibility for processing your acoustic instruments in true stereo. With two channels of fully parametric EQ and studio-quality mic preamps, the SPS-1 can easily adapt to any combination of instrument pickups, internal mics, or external mics.

Thermionic Culture - Earlybird 2.2 - The Earlybird 2.2 is a two channel all valve pre-amp employing a balanced push-pull circuit, which as far as we know, is unique in this application. The use of this type of circuit gives very low noise and plenty of headroom with minimal distortion. These factors coupled with a switchable input impedance will mean the user can get a very natural interpretation of whatever sound the microphone is picking up, whether the mic is valve, ribbon, moving coil or FET.

Thermionic Culture - Rooster - The Rooster is a valve based design mic/line & DI pre-amp with EQ and a distortion section based around the same 5725 valve used in the ever-popular Culture Vulture.

TK Audio - The Strip - The Strip is to be released in late January 2011, more info soon.

Vintage Design - CA73 mkII - The Vintagedesign CA73 mk2 is a single channel, all class-A microphone and line preamp with 3-band equalizer. The mic preamp is the same 3-stage circuit used in the DMP mk2. Like the DMP mk2, the impedance of the microphone input is switchable between 300 and 1200 ohms

Vintage Design - CA81 mkII - The Vintagedesign CA81mk2 is a single-channel, all class-A microphone and line preamp with 4-band equalizer. The mic preamp is the same 3-stage circuit used by the DMPmk2. Like the DMPmk2, the impedance of the microphone input is switchable between 300 or 1200 ohm.

Vintage Designs ProPack - Vintagedesigns ProPack is more or less a CA73mk2 and a C1mk2 under the same hood. The signalpath is almost the same as in CA73mk2 connected to C1mk2 minus the C1mk2 outputstage .