AKG C 12 VR - The legendary large-diaphragm capsule and original 6072A vacuum tube combine to provide a sensational sound. The C 12 VR is more than just a microphone with a typical tube sound. It has become a cult and a passion and even a valuable collector's item. The renaissance of a legend!

AKG C 4000 B - This Project Studio Line microphone features the world’s largest backplate electret dual diaphragm condenser microphone capsule. You simply can’t miss it!

AKG C 414 B-XL II - A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments.With the introduction of the NeXt Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories.

AKG C 414 B-XLS - High sensitivity and extremely low self noise. Five switchable polar patterns for placement and application flexibility.

AKG C 451 B - Identical acoustics to legendary CK 1. Precise, nearly frequency independent cardioid. Extremely accurate signal transfer and ruler-flat on-axis frequency response. Also available as a matched stereo pair.

AKG C 542 BL - Small and unobtrusive light-weight but robust ease of setup for quick results high sensitivity low self-noise for trouble-free operation. AKG Acoustics presents a new small boundary microphone for theater, studio, and installed sound applications, etc. The new microphone has been designed to be visually unobtrusive, yet strong enough to be used on stage. With its non-reflective surface finish, the C 542 BL almost disappears when placed on the stage floor or lecterns, conference and announcer's tables, etc.

AKG SolidTube - Vacuum tube large-diaphragm microphone· Cardioid polar pattern for multiplicity of applications· Exceptionally natural, warm sound· Tube sound enriches digital recordings· Complete with many useful accessories and aluminum carrying case.

Beyerdynamic MC740 - Designed as a no-compromise studio microphone with a multiplicity of vocal and instrument applications with switchable functions to control polar pattern, attenuation and low frequency response. Using the (optional) remote control unit adjustment of thepolar response can be adjusted from a control room.

Beyerdynamic MC930 - This high-quality, universal condenser microphone features an exceptional price/performance ratio. Critical features of the MC 930 are the wide frequency response of 40 - 20,000 Hz and a signal-to-noise ratio of 71 dB. The MC 930 is suitable for miking choirs, orchestras and solo instruments.

Beyerdynamic OPUS 88 - Application Toms, snare drums, congas. The Opus 88 condenser microphone is the perfect choice for close miking Toms and Snare Drums, designed to excel at professional sound reinforcement or recording.

Brauner Phantom - Standing back, giving space to the sound, with all the attitudes Brauner microphones are famous for. That is the Phantom. Consequently following up on our philosophy. Our first phantom powered FET microphone we considered worth, carrying our name. A fair priced High-tech microphone. Nominated for TEC Award 2003!

Brauner Velvet - Ultra high quality components, flawless German craftsmanship, excellent dynamic range and a self noise down to the physical limits are the basic principals for Brauner microphones. The Valvet is faithfully following upon these principals. Based on the original circuitry of the legendary VM1, but with its on tube and output transformer, the Valvet has its own unique character.

Brauner VM1 - To Dirk Brauner, his VM1 was the first real fulfilling of the dream of the perfect sounding tube microphone. A microphone to keep the spirit of the glorious old tube microphones alive, whilst complying with the high technical standards of modern high-tech microphones in the same way.

Brauner VM1KHE - The VM1KHE (Klaus Heyne Edition) possesses a sound that sets it apart from all other 'high-end' microphones, past and present. Custom built as a cooperative effort between the best after market mic tuner in the world, Klaus Heyne of German Masterworks, and the best mic builder, Dirk Brauner, The KHE is perhaps the pinnacle of tube microphone engineering.

Brauner VMA - The VMA is the essence of more than 10 years of experience with our top of the line model VM1, that influenced the market like only very few micropho-nes before. The VM1 is fully integrated into the VMA!

Langevin CR-2001 - The successor to the CR-3A produced from 1990 to 2001, the LANGEVIN CR-2001 is our entry model cardioid capacitor microphone, very handy for recording just about anything.

Manley Gold Reference - Stereo Microphone - The MANLEY GOLD REFERENCE MULTI-PATTERN MICROPHONES are a statement, quite simply, of the finest microphones that money can buy in the pursuit of truly accurate musical recordings.

Manley gold reference multi - pattern microphones - The MANLEY GOLD REFERENCE MULTI-PATTERN MICROPHONES are a statement, quite simply, of the finest microphones that money can buy in the pursuit of truly accurate musical recordings.

Manley Reference Cardioid Microphone - The Reference Cardioid Microphone shares the same electronic attributes as the Gold Reference Series, but has a center-fixed cardioid-only capsule with a thicker gauge (6 micron) gold sputtered diaphragm.

Neumann M 150 - Since the 1950s, the Neumann M 50 has been heralded as the ideal microphone for orchestral recording and string scoring. With its phenomenal transient response and unique directional characteristic, this classic mic has endeared many fans, both in the control room and on the soundstage. The new M 150 Tube takes many of the features from the original M 50 and incorporates them in a very modern microphone. With low self noise, a Titanium membrane and capsule, transformerless tube amplifier and sophisticated power supply, the M 150 Tube is not a reissue but an entirely new microphone in its own right.

Neumann U 87 - The U 87 is probably the best-known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with 3 directional patterns: omnidirectional, cardioid, and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch, located on the rear, enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low frequency response can be reduced to compensate for proximity effect.

Neumann KMS 105 - Designed with superlative vocal reproduction in mind, the KMS 105 brings Neumann quality to the demanding sound reinforcement environment. With its supercardioid polar pattern, low self noise, and uncolored off-axis pickup, the KMS 105 complements in-ear monitor systems. By employing a unique 4-layer acoustic filter, the KMS 105 minimizes popping and wind noise, and with special mechanical and electrical filters, handling noise is virtually eliminated. Because of the superior resolution and linear frequency response, it is very easy for the artist using the KMS 105 to identify whether he or she is "on mic."

Neumann KU 100 Dummy head - The KU 100 dummy head is a binaural stereo microphone. It resembles the human head and has two microphone capsules built into the ears. When listening through high-quality headphones it gives the illusion of being right at the scene of the acoustic events.

Neumann M149 - The M 149 Tube is a variable dual-diaphragm microphone. The K 49 capsule – well-known from the legendary U 47 and M 49 microphones – is followed by a tube functioning as an impedance converter. In contrast to earlier concepts – utilizing a transformer – the tube is complemented with a transformerless output circuit design. The M 149 Tube can thus feed long microphone cables without any coloration. Two slide switches are located below the large, acoustically very open headgrille. The switch at the front allows selection one of nine directional patterns. The slide switch at the rear operates a seven-step high pass filter.

Neumann BCM 104 - Condenser microphone is the first product in the new Broadcast Line, which is especially tailored to the demands of professional radio announcing. What sets the Broadcast Line apart is a completely independent, functionally optimized design derived from extensive 3D simulations. The large-diaphragm condenser capsule used in the BCM 104 has a cardioid directional pattern with internally switchable proximity effect compensation. A second switch allows the sensitivity to be reduced by 14 dB.

Neumann KM 183 - Series 180 - The "Series 180" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the "Series 180" is predestined for economy-minded production and home recording studios. The KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. All "Series 180" microphones are available with either matte black or nickel finish.

Neumann KM 184 - Series 180 - The "Series 180" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the "Series 180" is predestined for economy-minded production and home recording studios. The KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. All "Series 180" microphones are available with either matte black or nickel finish.

Neumann KM 185 - Series 180 - The "Series 180" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications. Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the "Series 180" is predestined for economy-minded production and home recording studios. The KM 183 omnidirectional and KM 185 hypercardioid microphones are based on the tremendously successful KM 184 cardioid microphone, which has become a standard within the global studio community in just a very short time. All "Series 180" microphones are available with either matte black or nickel finish.

Neumann TLM 103 - The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget. By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. The TLM 103 is available in satin nickel and matte black. Delivery includes an SG 1 metal swivel mount and a wooden jeweler's box.

Neumann TLM 127 - The TLM 127 is a large-diaphragm studio microphone with omnidirectional and cardioid directional characteristics. In addition, via a special power supply it is possible to use remote control to switch between the five directional characteristics: omnidirectional, wide-angle cardioid, cardioid, hypercardioid and figure-8.

Neumann TLM 193 - The is a large diaphragm microphone with a cardioid polar pattern. With this microphone Neumann continues its long tradition, and is offering high end technology at an affordable price for musicians and the home recording studio. The microphone uses a transformerless circuit, featuring extremely low self noise and large dynamic range. The polar response is very linear over a wide incidence angle. Thus, even signals coming from the side are reproduced faithfully and without coloration. The exposed surface of the microphone capsule is at ground potential, making it immune to typical interference and contamination. The microphone is supplied with a swivel mount.

Neumann TLM170R - The TLM 170 R was the first microphone to use the successful fet 100 technology. Along with a balanced, transformerless output stage it features extremely low self-noise and an impressive dynamic range. Five directional characteristics are selectable by means of a rotary switch. In the sixth position, marked "R", the directional patterns can be controlled remotely with the N 48 R-2 power supply. There is no special cable necessary for this purpose. The microphone has at its rear a 10 dB attenuation switch for extremely high sound pressure levels, and a high-pass filter to suppress structure born noise.

Neumann U 89 - The U 89 is a studio microphone for universal applications. The headgrille protects a dual-diaphragm capsule. A rotary switch below the headgrille selects from five different polar patterns. Therefore the microphone can be adapted easily to large sound sources, and those that are spread wide apart, or to sound sources to be recorded at a greater distance. The amplifier accepts sound pressure levels up to 134 dB without distortion. This figure can be increased to 140 dB. An additional rotary switch activates a filter that changes the low frequency response either below 80 Hz or 160 Hz frequency.

Rode Broadcater - The Røde Broadcaster is a large diaphragm studio condenser microphone which is, as the name would suggest, optimised specifically for broadcast applications. Its vocal response provides that warmth which is crucial to on-air applications, while the dynamic range and frequency response are widened to deliver exceptional sound quality. Unique to the Broadcaster is the ON AIR indicator LED which can be switched from a console mounted mute button via the mic’s 5-pin XLR connector. The Broadcaster’s polarity pattern is cardioid, and it comes complete with a high impact carry case and stand mount.

Rode Classic II - Product Description: From its custom designed Jensen transformer to the dual pressure gradient transducer this valve microphone is a Classic. Machined from solid brass, hand polished,glass bead blasted and coated in satin nickel,this is a microphone with Class A valve circuitry that gives unmatchable warmth,clarity and sensitivity when critical vocal and instrument recording is required. The Classic II when a Classic performance is needed.

Rode K2 - The RODE K2 delivers the ultimate in pure rich tube sound and performance, super low self noise (10dBA), high max. SPL (162dBA), and mega wide dynamic range (150dB). Featuring totally variable polar pattern control for an unbeatable combination of flexibility and power, the K2's legendary sound quality literally inspires those magic takes.

Rode NT1 - Say NO to noise! The New RØDE NT1-A is one of the world?s quietest microphones.Why is that important? Light and dark, hot and cold, loud and quiet! These are examples of thecontrasts found in nature. A low noise recording will give your work it is dynamics. It will give you theimpact you dream of. Adding noise from any device, especially at the source, only egradesyour performance. The New RØDE NT1-A has a self-noise of only 5dBA!No other studio microphone in its class, or indeed costing many times morecan claim this!

Rode NT2 - With tens of thousands in use around the world the NT2 is a modern legend! It is the industry standard. With each component selected for its ability to provide the ultimate sound quality, the NT2 delivers full frequency response and exceptional sound. The NT2 is quality tested at every manufacturing stage. Before dispatch, every NT2 is critically evaluated in a studio environment. NT2 -when an outstanding, multi-purpose professional microphone is needed.

Rode NT4 - A stereo condenser microphone with two cardioid capsules mounted at 90°. Ideal for location recording, the NT4 has a smooth response over a wide frequency range and is supplied complete with stand mount, windshield and custom stereo cables, which include both XLR and mini-jack connectors for total flexibility. Battery or phantom powered.

Rode NT5 - Continuing to expand their catalogue of premium quality studio microphones, Røde have produced something very special with the NT5. A high sensitivity cardioid condenser microphone optimised for instrument recording, it produces exceptional results on all instruments including guitar, flute, violin, saxophone and drums. A discrete design allows for effective and subtle positioning, which is crucial when close micking. Phantom powering. Supplied as closely matched pairs in a custom carry case with two stand mounts and two windshields.

Shure Beta 53 - The Beta 53 (and its wireless version the WBH53) is a fully adjustable omnidirectional condenser microphone, designed for applications where unconspicuous appearance and incredible sound quality are required. It's lightweight, adjustable, modular headband, flexible wireframe and soft earpieces provide a comfortable fit while still allowing the Beta 53 to be positioned as close to the left or right corner of the mouth as possible, assuring maximum voice pickup.

Shure Beta 87C - The Beta 87A has consistently been a top choice of performers and audio technicians around the world due to its superb accuracy and detail, and rich vocal production. This long-standing favorite now incorporates a cardioid polar pattern and has been named the Beta 87C TM.

Shure Beta 87C - The Beta 87A has consistently been a top choice of performers and audio technicians around the world due to its superb accuracy and detail, and rich vocal production. This long-standing favorite now incorporates a cardioid polar pattern and has been named the Beta 87C TM.

Shure Beta 91 - For kick drums and other bass instruments, nothing compares to the Shure Beta 91TM.

Shure KSM27 - Enter the new Shure KSM27 and the revolution of affordable digital multitrack recording is now yours! A condenser mic with a large diaphragm, this mic is a workhorse. Primarily designed for vocals, you will be equally at ease recording acoustic guitars, horns, exotic instruments, and just about anything else your mix craves. Plus, because its diaphragm is tough enough to handle high sound pressure levels, you can use it on loud electric guitar amps and even drums for HUGE sounds.

Shure KSM32 - The Shure KSM32 is a side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. It offers an extended frequency response for an open, natural sounding reproduction of the original sound source.